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"It is," replies he, absently. Then, below his breath, "and well worth fighting for." "You mustn't call her names, you know; she is my wife," says Rodney, gently, but with dignity,—"the woman I love and honor most on earth. When you see her you will understand how the word 'low' could never apply to her. She looks quite correct, and is perfectly lovely." "I do. Just now," looking at her, "I am perhaps as near enjoyment as I can be. But I have not danced before to-night. Nor should I have danced at all had you been engaged. I have forgotten what it is to be light-hearted.".
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At the farthest end of the room, near a window, lying back in an arm-chair, lies Mona, sound asleep. "Yes; Gabriel—poor Gabriel and Evangeline," returns she, too wrapped up in recollections of that sad and touching tale to take to heart his meaning:— There is a smile upon her lips; her hands are clasped behind her. Mona looks up startled. The faint rays of the new-born moon are indeed rushing through the casement, and are flinging themselves languidly upon the opposite wall, but they are pale and wan, as moonlight is in its infancy, and anything but brilliant. Besides, Rodney's eyes are turned not on them, but on the door that can be seen just over Mona's head, where no beams disport themselves, however weakly..
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